I’m an artist and photography is my primary medium. I choose to work with film — slow, physical, imperfect. The camera is old and entirely mechanical. The work begins long before the shutter ever sounds.
I do not chase perfection. I meet the world as it is, without forcing it to be otherwise. Each photograph is less a construction than an act of listening and surrender — shaped by care, not correction.
I choose to inscribe my photographs onto Bitcoin — not as spectacle, but as offering. This manifesto lives there as the first inscription. Every collection that follows is tethered to it — on-chain, uncensored, and immutable.
Perhaps humanity has found a way to preserve its digital artifacts. This impulse has taken form in what I call, Onchain Humanism — an artistic response to our era. Born of Bitcoin’s architecture, it marks a shift. Artists are no longer submitting to systems — they are writing into time.
O Bitcoin, hold this—
pure image, uncensored truth,
reveal it in light.
Itched by Ka Mo in
San Francisco. June 25, 2025